The Music of "True Grit" (2010)

Jim Emerson has written a wonderful piece about the music (both the score by Cartel Burwell and vocalizations of the actors) for the Coen Brothers' superb film True Grit. From the moment I saw the movie, and then upon thinking about it afterwards, I knew there was something different about the dialogue of the characters, and how it was spoken. This has been the subject of a few conversations between myself, Ashley and friends, and Emerson manages to provide a unique theory for it:

... if you compare some of the very same lines in the 1969 film with the 2010 film, you'll immediately hear the difference between speaking and singing. Henry Hathaway tried to make the words sound as conversational as possible; the Coens go for Baroque -- high stylization that's not quite horse-operatic, but in an American vernacular that's like Bach transposed to "Deadwood."

Read the whole thing, as Emerson makes some truly interesting observations.

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Yesterday's Restaurants

The local newspaper has a feature from one of Champaign-Urbana's most legendary restaurateur's, John Katsinas, on what his favorite area restaurants were that have now since closed (or will soon be closing). It's a nice little read, and has made me stop and think about the restaurants that have come and gone that have left an indelible (and edible) impression on me throughout the years. Here we go....

Watching The Hours

A Twitter friend named Paula has asked for folks to submit ideas for a blog-a-thon about what we think will be the classic films of the future. In other words, what relatively recent movies (namely, from the 21st century), do we think will be considered classics in the decades to come, possibly airing on such venerable stations as Turner Classic Movies ? While a number of films come to mind for such a category, one in particular stood out from the rest, and thus is my entry for Paula's blog-a-thon.

She's Madonna

Today we're going to talk about something very important. We're going to talk about Madonna. "Madge," as she's affectionately known around the gay scene, has been making music for over thirty years. I grew up with her songs, many of them pop classics. In recent years, it can be arguably said that her popularity has waned a bit. During the past decade, Madonna has put out seventeen singles. Of those, three have charted in the US Top 40. Ten Failed to chart at all on the Billboard Hot 100. We now have at least one possibility offered as to why Madge's chart power is waning: Ageism. At least, that's what Diplo (just, Diplo), a producer of some of the tracks off her latest album, thinks . I know it's difficult to be objective about something you've worked on -- whether you were the producer or the artist -- but, as a listener/fan, I have to say that Madonna's most recent work has simply not been that good. Still, we'll hear what

Left to my own devices

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