Skip to main content

The Past Dictates the Future


When the finale for Twin Peaks The Return (ostensibly the third season of the program) was over this past Sunday night, I immediately felt ripped-off, unsatisfied, and that the time spent watching the show over the summer had been a waste. Thankfully, during the intervening days, and after lots of conversations about it with the spouse and in online forums, I have come to better appreciate the way things ended. I'm still not on board with it 100%, though.

Without getting into the weeds as to everything that happened during the finale, the show managed to wrap-up several plot threads during the first-half (Part 17), then turned around and launched things in a different direction during the second-half (Part 18). While tangentially related to what had come before, Part 18 could almost stand alone as its own show, with a different look and feel than the previous 17 episodes, and about a third of the cast. It was, upon first viewing, quite jarring. It was also, most definitely, a David Lynch joint.

Lynch and his co-creator/writer Mark Frost managed to do an overall stellar job with Twin Peaks The Return, and it made for mesmerizing Sunday night viewing over the course of the summer. Unable to get into the original run of Twin Peaks, I was skeptical about The Return at first glance, but the intervening years have seen an evolution in the artistry of David Lynch, and The Return is tonally different than its preceding series. The landscape of the program expanded geographically, and the palette of storytelling was much broader. There was a unique blend of drama, humor, horror and, perhaps most notably, sound design.

It isn't often that I am hooked by a new show on TV, but The Return managed to be one of those rare occasions. There was so much going on, so much to look forward to and speculate about. It was also, in many ways, an immersive experience. The scenes drew you in, anchored by deft direction and award-worthy performances. Kyle MacLachlan shouldered much of the show, but many others brought their A-game. I have truly seen no other program like it on television.

At this point in time, there appear to be no plans yet for a follow-up to Twin Peaks The Return. I guess that's okay. (SPOILER): The show ends on a cliffhanger. Much is left unresolved, especially with fan favorite character Audrey Horne. It bears keeping in mind, however, that, with David Lynch, another season wouldn't necessarily bring more answers and greater clarity. It would merely be a continuation of various story lines (old and new), and put us further down the rabbit hole that Twin Peaks has come to represent. I'd be fine with that.




Comments

Popular posts from this blog

Yesterday's Restaurants

The local newspaper has a feature from one of Champaign-Urbana's most legendary restaurateur's, John Katsinas, on what his favorite area restaurants were that have now since closed (or will soon be closing).  It's a nice little read, and has made me stop and think about the restaurants that have come and gone that have left an indelible (and edible) impression on me throughout the years. Here we go....

Watching The Hours

A Twitter friend named Paula has asked for folks to submit ideas for a blog-a-thon about what we think will be the classic films of the future. In other words, what relatively recent movies (namely, from the 21st century), do we think will be considered classics in the decades to come, possibly airing on such venerable stations as Turner Classic Movies ? While a number of films come to mind for such a category, one in particular stood out from the rest, and thus is my entry for Paula's blog-a-thon.

She's Madonna

Today we're going to talk about something very important. We're going to talk about Madonna. "Madge," as she's affectionately known around the gay scene, has been making music for over thirty years. I grew up with her songs, many of them pop classics. In recent years, it can be arguably said that her popularity has waned a bit. During the past decade, Madonna has put out seventeen singles. Of those, three have charted in the US Top 40. Ten Failed to chart at all on the Billboard Hot 100. We now have at least one possibility offered as to why Madge's chart power is waning: Ageism. At least, that's what Diplo (just, Diplo), a producer of some of the tracks off her latest album, thinks . I know it's difficult to be objective about something you've worked on -- whether you were the producer or the artist -- but, as a listener/fan, I have to say that Madonna's most recent work has simply not been that good. Still, we'll hear what