Skip to main content

Through the Golden Age, and What People Find There



Finally got to see the highly-praised new Woody Allen movie, Midnight In Paris, and can safely say that it lives up to the hype. Part romantic-comedy, part dream-sequence, part drama, and part love-letter to Paris, this film is definitely worth seeing.


Like most Woody Allen movies, Midnight In Paris revolves around relationship angst. The oft-underrated Owen Wilson is cast in the Allen-esque role of Gil, a Hollywood screenwriter who has made a fair amount of money off of his soulless blockbuster scripts, but who is now working on his first serious novel. He and his fiance, Inez, are in Paris, and Gil wants to stay. Inez wants to live in Malibu. That Gil and Inez are not right for each other is clearly plain from the start, and before a new potential romantic attachment emerges on the scene, we already hope that their relationship won't make it through 'til the end of the movie.

Gil is a nostalgia hound. He has a particular remembrance of things past that manages to put a rosy glow on what has gone before. He doesn't seem to care much for the present day, and views Paris in the 1920s as the "golden age" of the world. It is this idea (or ideal) that drives the main plot points of Midnight In Paris. Gil has his own notion of when and where the golden age took place, but he meets someone who has a different idea. And then there are folks who have yet another idea about it. I like that the film has this underlying question it wants to debate (and allow for us to debate within ourselves). It makes the movie about something, while still remaining a charming little romantic comedy on the surface.

It's true that, as I get older, times past seem to be remembered with a rosier glow. This, of course, is purely a knee-jerk response. Every time period, era, decade (what have you) has its pros and cons. I remember my late maternal grandmother saying once that the favorite year of her life was 1938. She turned 10 that year. She wistfully remembered the lower price of things, the movies that were playing at the time, her siblings and friends, her parents, etc. And who could have blamed her? I tend to look back upon the 1980s with a plethora of nice memories, primarily due to many of the same reasons. But were the '30s and the '80s really all that much better than today? No, of course not. They were just different.

I thank Midnight In Paris for giving nostalgia a proper perspective. It's one of those indulgences, not unlike chocolate and alcohol, that is good in small doses, but too much of it will make you sick. Better to live in -- and appreciate -- the present.


Comments

Popular posts from this blog

Yesterday's Restaurants

The local newspaper has a feature from one of Champaign-Urbana's most legendary restaurateur's, John Katsinas, on what his favorite area restaurants were that have now since closed (or will soon be closing).  It's a nice little read, and has made me stop and think about the restaurants that have come and gone that have left an indelible (and edible) impression on me throughout the years. Here we go....

Watching The Hours

A Twitter friend named Paula has asked for folks to submit ideas for a blog-a-thon about what we think will be the classic films of the future. In other words, what relatively recent movies (namely, from the 21st century), do we think will be considered classics in the decades to come, possibly airing on such venerable stations as Turner Classic Movies ? While a number of films come to mind for such a category, one in particular stood out from the rest, and thus is my entry for Paula's blog-a-thon.

She's Madonna

Today we're going to talk about something very important. We're going to talk about Madonna. "Madge," as she's affectionately known around the gay scene, has been making music for over thirty years. I grew up with her songs, many of them pop classics. In recent years, it can be arguably said that her popularity has waned a bit. During the past decade, Madonna has put out seventeen singles. Of those, three have charted in the US Top 40. Ten Failed to chart at all on the Billboard Hot 100. We now have at least one possibility offered as to why Madge's chart power is waning: Ageism. At least, that's what Diplo (just, Diplo), a producer of some of the tracks off her latest album, thinks . I know it's difficult to be objective about something you've worked on -- whether you were the producer or the artist -- but, as a listener/fan, I have to say that Madonna's most recent work has simply not been that good. Still, we'll hear what ...