Left to my own devices

I don't know about you, but it seems like it's getting harder and harder to tell who's gay and who's not these days. And then there's the bisexuals. Oy. Don't even get me started. What's a label-defined, everything-in-its-place, definition-loving society to do? I suppose we could do away with labels all together, but then that would probably make things more confusing. Seriously, though: human sexuality is a curious thing, innit?

Over the weekend I was watching an episode of the British crime drama Dalziel & Pascoe , and couldn't help but notice one of the guest stars. He's dishy actor Neil Newbon, and he's our pic of the week.....

After three decades of making music together, the rock band R.E.M. have announced that they are calling it quits (as a group, anyway). Unfortunately, R.E.M. reached their zenith a number of years ago, so they're going out with a whimper, and not a bang. Still, it's been a good run. Someone on an internet forum I frequent (because that's what I do in my spare time -- visit internet forums) posited the following: I think you could make a strong case that they were the greatest American rock and roll band of the past thirty years. Now, I got to thinking about this. My initial reaction was a knee-jerk nodding of the head, but then further contemplation brought forth some doubt. There are other rock & roll bands that could vie for the title of 'greatest' from past thirty years, surely? Perhaps R.E.M. comes to the fore because of its longevity? But does quantity stand tall over quality? Seems doubtful. Let's look at some other rock bands from the past three d

Actor Tom Felton (Draco Malfoy from the Harry Potter series of films) turns 24 today (so, just a couple years younger than me). Here's a rather nice photo of him. Enjoy.

A recent excerpt from film critic Roger Ebert's new memoir, in regards to his views on death, got me to thinking about the subject. Not for the first time. Let's be real: Death is something that we think about from time to time. It is, in many ways, the basis for nearly all religions in the world - past and present. My own view on death may sound bleak, and it does scare me sometimes, but it is what is is.

I went to an art gallery recently that featured an exhibition of photography from around the world. I frequent this gallery fairly often, and my heart sank sightly when this month's featured artist turned out to be a photographer. Nothing against photography, mind you. I enjoy it quite a bit. And the exhibit has some nice pictures. But I have this notion on how art should be viewed. I prefer to look at photographs in book form, or at least in the comfort of my own home, and prefer to enjoy paintings at an art gallery.

Film critic Roger Ebert, long a naysayer of the gimmick of 3-D usage in movies, is rubbing his hands together with glee at the Slate article by Daniel Engber that all but puts a stake in the heart of the 3-D film phenomenon. While a Mark Twain quote comes to mind at the moment, I can't necessarily dispute Mr. Engber's assertion that 3-D's popularity may have peaked. The following passage from the article caught my attention: Yet by the end of August 2010, the   future of cinema   was starting to look unsteady on its feet. Box-office returns from   the next wave of 3-D films were disappointing . The revival needed reviving. The thought occurred, when reading the above quote, that it might (just might) be possible that the entire scope of movie releases could have to undergo a massive overhaul in the coming years. What I'm talking about, in one sense, is the death of the multiplex. Indeed, all one has to do is look around to see the portents of this potential trend

This is a post about my photography, but first, allow me to talk a moment about creativity and individualism, at least as they apply to me. Your indulgence is appreciated.

September 11th, 2001 was a terrible day. Ten years later, it is being remembered all across the country (and, one hopes, across much of the world). This is as it should be. We must never forget the human-on-human acts of violence that have littered our history. But we must also learn from them. Let's hope that today, while we bow our heads in memory of horrid events and of lives lost, we also remember the lessons from that dark day.

We're in the middle of National Suicide Prevention Week . World Suicide Prevention Day is September 10th. It's a good cause, but a sad topic. Too many people exit their lives in this manner, and whatever we can do to prevent it is worthwhile. Many folks who commit suicide (or attempt to do so ) aren't really looking for the finality of death, but more so for help. A release from their pain is often what drives them, and that can be something we can try and help them with. We may not always be successful, but the least we can do is try.

The other day I was listening to the song Screaming by the Pet Shop Boys. It had featured on the soundtrack to Gus Van Sant's 1998 remake of Psycho . The remake taught me something, and that is that filmmaking styles can become dated, but the films, themselves, can sometimes still be timeless. This in-turn leads me to wonder: What makes a film timeless?