Skip to main content

Auntie


There are some people who you can't remember a life without. Not necessarily figuratively, but in the true sense of the sentiment. From your earliest memories, some folks were simply just... there. For my minute existence in this universe, aunt Charlease is one such person. Now, like so many passages before hers, it is time to live in a world without her in it.

It's been less than a week since Charlease Williams died, so of course many memories have come flooding back, some of them ones I haven't thought of in years, perhaps decades. One such item is how Charlease would often love to tell me how her arrival in Champaign coincided with my own. I was born in December 1975. If memory serves correctly, Charlease moved here from Missouri in January 1976. "That's how I always know how old you are," she would say, in her sweet, raspy voice.

In the early eighties (I say 1981, mom says it was 1982), I was hospitalized for almost a week with pneumonia. Among the visitors was aunt Charlease, seeming genuinely concerned as to how I was doing. I remember being surprised and moved by the fact that she came to visit. Hospitals can be strange, sterile places, so a familiar face is always welcome.

In 1981 Charlease and I went to the Virginia Theatre and saw the Gary Coleman film On the Right Track, about a boy living underground in a railway station, scared to go up and experience the rest of the world. In the end, he faces his fear and, as we were leaving, I couldn't help but think how he reminded of the aunt who was with me. Dad had told me how Charlease, in her younger days, was certainly no stranger to living life, but the aunt Charlease that I knew seemed to pretty much keep to herself. I'm glad we saw the movie together, even if it wasn't anywhere near an Oscar contender.

Charlease's father (my father's father and my grandfather), Oscar, died over a decade before I was born. Dad never talked about him much. There were pictures of him up at my grandmother's house, but that was my only notion of him. I'd been to his grave in Mississippi once. It fell to Charlease, one day when it was just her and I on the back porch of my parents' house on Draper St., to tell me how he died. "Daddy was sitting at the dinner table," she remembered, "He was talking to us about the facts of life. Then he just slumped over, like this..." Charlease mimicked the motion, and I understood.

No one could cook like aunt Charlease. For many years we would have the family Christmastime dinners over at her small apartment in west Champaign. From her fried chicken to her corn -- my God, the corn! -- she served-up some of the best meals this side of the Mason-Dixon line. On New Years Day, she would cook-up a special meal for dad & I, which of course included black-eyed peas.

I liked visiting with Charlease. She was sweet, she was kind, and she always seemed happy to see me. What more could a nephew ask for? The last time we visited was in April of last year. By that time, she was living at the Champaign County Nursing Home, suffering from dementia. I introduced myself, she looked at me and remarked, "I don't know who you are, but you look like a Gladney!" And that family history was something she still knew. She sat there, rambling, telling me all about the family and her time growing-up until, well, until she couldn't remember anything more.

I'm glad we had that visit.


Comments

Popular posts from this blog

Yesterday's Restaurants

The local newspaper has a feature from one of Champaign-Urbana's most legendary restaurateur's, John Katsinas, on what his favorite area restaurants were that have now since closed (or will soon be closing).  It's a nice little read, and has made me stop and think about the restaurants that have come and gone that have left an indelible (and edible) impression on me throughout the years. Here we go....

Watching The Hours

A Twitter friend named Paula has asked for folks to submit ideas for a blog-a-thon about what we think will be the classic films of the future. In other words, what relatively recent movies (namely, from the 21st century), do we think will be considered classics in the decades to come, possibly airing on such venerable stations as Turner Classic Movies ? While a number of films come to mind for such a category, one in particular stood out from the rest, and thus is my entry for Paula's blog-a-thon.

She's Madonna

Today we're going to talk about something very important. We're going to talk about Madonna. "Madge," as she's affectionately known around the gay scene, has been making music for over thirty years. I grew up with her songs, many of them pop classics. In recent years, it can be arguably said that her popularity has waned a bit. During the past decade, Madonna has put out seventeen singles. Of those, three have charted in the US Top 40. Ten Failed to chart at all on the Billboard Hot 100. We now have at least one possibility offered as to why Madge's chart power is waning: Ageism. At least, that's what Diplo (just, Diplo), a producer of some of the tracks off her latest album, thinks . I know it's difficult to be objective about something you've worked on -- whether you were the producer or the artist -- but, as a listener/fan, I have to say that Madonna's most recent work has simply not been that good. Still, we'll hear what ...