Madonna (or 'Madge' as she's affectionately known by some of her gay fans) has been around the pop music scene for over forty years. It's only natural that during that time her popularity would have ebbed and flowed. That said, 2026 has turned out to be a banner year for her. The queen of pop released her 15th studio album back in July, and it became her 10th #1 charting release on the Billboard Top 200 Albums chart. It also helped her attain the status of having a #1 charting album across four different decades (1980s, 2000s, 2010s, and now the 2020s). Confessions II has been billed as a sequel of sorts to Madonna's 2005 record, Confessions on a Dance Floor . I liked a number of songs off that album, including the ABBA-sampled Hung Up , as well as Forbidden Love and Jump . That said, I don't really see a huge connection between the two releases (aside from being produced by Stuart Price). Confessions on a Dance Floor was a good, solid alb...
I've been missing my parents recently. Of course they are never too far from my heart, though I don't consciously miss them all the time. That changed recently when I was putting together a playlist of my favorite film scores. Anyone who knows me knows I love movies. Anyone who knows me even better knows that I am also enamored with certain film scores: the Cocoon movies, scored by James Horner; the brash, clashing music for Star Trek II: The Wrath of Khan (also scored by James Horner); the Star Wars films, composed of course by the great John Williams; many of the Bernard Herrmann collaborations with Alfred Hitchcock; the score for Cloud Atlas , by Tom Tykwer, Johnny Klimek and Reinhold Heil; and, of course, nearly anything by my favorite film composer, Jerry Goldsmith. Another maestro of movie music I quite enjoy the work of is the late, great John Barry. He is probably best known (or at least most heard) for scoring eleven James Bond movies from 1963 - 1987. He also arran...