I've sometimes wondered how I would have functioned as a gay man born, not in the latter-half of the 20th century, but during a time when seeking the partner of one's choice was simply not allowed. At least, not legally. How would I have behaved? Would the repression of my sexuality have proven to be too much? Or would I have settled down with a woman, perhaps had children, and soldiered on? The closing film of this year's Roger Ebert Film Festival , the 2004 musical biopic De-Lovely , focused on the life of lyricist and composer Cole Porter, and provided another opportunity to ponder the aforementioned thoughts. Though fraught with a narrative structure that was almost clunky enough to derail the overall experience, the movie succeeds in spite of its flaws, and was an enjoyable, moving motion picture. There was a sophistication to the performances of Kevin Kline (as Porter) and Ashley Judd (as his wife, Linda Lee). Somewhat familiar with Cole Porter, though unf